What winning a Sydney audience actually takes.
Rankings follow the hour. They do not lead it.
The blog
Australian radio, music logs, imaging, and the practical side of sounding local.
Rankings follow the hour. They do not lead it.
Control radio stopset load and unit count so commercial breaks protect music flow. Craft rules a PD can use this week on clocks and logs.
A programming agreement should feel like adding a PD to the building — not buying a vendor SKU. These eight questions separate a partner from a playlist mill.
Salary is the line item everyone sees. The expensive part is the hours your PD spends on logs instead of talent, imaging, and the street.
A clock is not a grid of categories. It is a promise about how the next 15 minutes will feel. Here is how we build logs that keep people in the car.
Listeners forgive a recorded break. They do not forgive a break that could have aired in any city on any Tuesday. Local is a writing problem before it is a recording problem.
The accent is a production choice. The local knowledge is the product.
Kenny Wall programmed Mix 106.5 in Sydney and stations across the United States. The hits change. The listener’s patience does not.
A legal hour and a listenable hour are the same job when the library is coded properly.
A sweeper is not decoration. It is the shortest brand ad you will ever run — and most stations run it like a disclaimer.
Digital radio added streams. It did not add hours to a content director’s week.
Stations in trouble often rebuild the library first. Sometimes the library is fine. The architecture around it is what is leaking cume.